TEXTUAL ARTIVITY by TED AMSDEN
Artist and poet-vocateur,
Wally Keeler is having an art/poetry show at the Human Bean during the month of
September.
Talking to Wally Keeler, well, you need
patience. The man is his own entertainment centre. He remakes the basic nuts
and bolt words of daily usage into ammunition for his Imagine Nation of the
Peoples Republic of Poetry.
You have to be careful how you throw words around
in his presence because they will be re-born, - on the spot - as poetential
building blocks for use in the uni-verse according to Wally. All is fodder in
his galaxy. You need to give yourself a little time to catch up to his way of
thinking. The patience isn't for him, it's for you as you get up to his speed.
Spoiler
alert for Keeler's upcoming show at the Human Bean during the month of
September. Keeler's uni-verse is humorous. Keeler
definitely doesn't think the way the rest of us do and that is part of his
charm. Keeler is a senior who enjoys playing at the child's level while
ensuring that the resulting images and words are very much for adults.
"I utilize poetic licence to
achieve poetic justice. The enemy of the
Imagine Nation is mediocrity. This bloated bland gland debris culverts out of
the mouths of politicos and bureaucrats and gets distributed by the plainstream
media."
Clearly, Keeler has a bit of edge
leftover from the seventies when he accomplished
some impressive feats of street and political performance that prefigure
today's flash mobs. Keeler's, "1st Interm Report of the Commission of
the Causes and Manifestations of Divergent Think Procedure Concerning the 1st
10 years of the History of the Peopls Rpublic of Poetry" book document's
those days. Written, or rather assembled in Cobourg, it is an amazing record of
Keeler's ability to manifest his poetic universe.
Keeler is a free speech advocate, no
doubt due to experiences like these, "During the 1970’s I experienced
interference in my freedom by the Security Service of the RCMP intercepting and
withholding my mail, wiretapping my residence, interfering with my employment
and tenancy…Interestingly this led to connections being developed with the
creative, dissident class in Eastern Europe during the cold war. It was an
exhilarating pleasure to contribute to the subversion of totalitarianism by
smuggling the manifestations of creativity in and out."
Now
Totalitarianism hasn't been seen on this side of the Atlantic, officially, for
as long as anybody can remember but there is still an enemy out there according
to Keeler. He says language and poetry in particular is "under attack by
mediocrity". Society's obsessive concern with correctness has
"commissions watching everyone’s words and enforcing nicespeak. Nicespeak
is the new Newspeak, which is Nospeak at all." Engage Keeler deeper on
this topic and it's plain he has much to say.
Older, wiser,
but still playful, these days Keeler's stage is smaller. There are images in
this show from his series: Child's Play. They "consist of configurations
of children's wooden alphabet blocks on mirrors and other surfaces." that
spell out the words liberty and freedom in English and other languages. In
large prints, toy trucks, soldiers and lettered building blocks have been Photoshopped into Cobourg images. There are also Freedom of Speech posters.
In other images, Keeler uses material
objects like Scrabble letter tiles and again children's building blocks and
arranges them according to the rhyming scheme of Shakespearean Sonnets which
makes for some interesting non-literary understanding of the Bard's craft.
Other images
consist of ‘news’ stories from the series: All the Muse That’s Fit to Print.
These stories represent some of the news coming from the Image Nation of the
Peoples Republic of Poetry. Satirical and poetic, the stories are a careful blend of literary fact and fiction and are
probably the most accessible productions of Keeler's show for those who find
Keeler's universe and bit unusual.
This show will be a bit of a home coming
and a premiere event for the poet. "I
have exhibited or performed in Poland, Hungary, England, Germany, New York, Toronto, Ottawa, Montreal, but never in my poemtown. Only a handful of close friends and acquaintances from Cobourg knew the
kind of poetic work I manifested in Toronto since the early
70s." He has been active in the poetry scene in Cobourg since returning to
Cobourg and regularly incorporates it into activities at Cobourg's Ecology
Garden where he is the Chair.
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The image
below was sold. I miss it already. It was one of my favourites and
graced my wall for the past three years. It now has a wonderful home
with a hot-sauced poet.